|
Tanya Barber,
in her third year of MA studies, is also working as a teaching
artist with Metropolitan Ensemble Theatre. She has designed
costumes for Joseph and the Amazing Technicolor Dreamcoat
at Paseo High School, acted with the Barn Players, and served as
dramaturg for the Coterie-UMKC Theatre co-production of The
Macbeth Project. Last season Tanya understudied for Doubt
and To Kill a Mockingbird at Kansas City Repertory
Theatre, performed in Metropolitan Ensemble Theatre's production
of A Man of No Importance, and stage managed MET's
production of Lettice and Lovage. She also worked in KCMO
schools with MET's teaching artist team. This summer Tanya was
an actor for MET's 2008 Playwright's Intensive and was also seen
in the Kansas City 2008 Equity Showcase. She is now preparing
for her new position as Director for HEART Theatre Co., a K-12
drama program for home educated students. Look for her in MET's
upcoming production of The Crucible. Somewhere in there
she will be completing her thesis this academic year...
Tony
Bernal is currently
completing his Masters of Arts degree under Dr. Felicia Londré.
As a local theatre artist, Tony has served as dialect coach for
the Unicorn Theatre’s Rising Water, the Actors Theatre of
Kansas City’s Absurd Person Singular and The Talley
Plays, and Music Theatre Heritage’s production of
BRIGADOON. He music directed two original musicals for
Theatre League’s inaugural Crossroads Musical Theatre Festival
and was assistant to music director Anthony Edwards at Bar
Natasha for three years. His acting credits at the Coterie
Theatre include a Wickersham Brother and the Mayor of Whoville
in Seussical, which he will reprise this winter, Norbert
in The Happy Elf, in which he worked with the composer,
Harry Connick, Jr., and Armand in Once On This Island.
School projects have included director of The Most Fabulous
Story Ever Told, the role of Morris Dixon in Present
Laughter, dramaturg for The Heidi Chronicles and
The Darker Face of the Earth, dialect coach for Our Town,
Cloud 9, All In the Timing, and voice coach for The
Trojan Women. Last February Tony was asked to direct for the
Playwriting Symposium at the Mid-America Theatre Conference. He
is a graduate of Kansas University and the American Musical and
Dramatic Academy (AMDA) in New York City. Tony is a member of
VASTA.
Thomas
Canfield holds a Ph.D.
in English, with a specialization in Elizabethan drama, from the
University of Louisiana. During his first year in the M.A.
program, he was the dramaturg for the UMKC-KC Rep co-production
of King Lear; last season, he was the dramaturg for
The Country Wife at UMKC and composed program essays for the
Rep productions of Gee’s Bend and The Drawer Boy.
Thomas spent the summers of 2007 and 2008 as dramaturg for Heart
of America Shakespeare Festival’s Romeo and Juliet and
Othello. This summer he also taught courses in Composition
and Film Studies at National American University while
continuing his duties as an online English instructor at
Grantham University. During his final year at UMKC, Thomas will
be the dramaturg for Great Expectations while completing
his thesis, a history of the Circle Theatre in Kansas City.
Thomas Czerkawski
holds a BFA in Theatre Performance
from Auburn University in Auburn, Alabama. After ten years of
working in various financial and media services positions, he is
focusing on a course of theatre studies that leads to the Ph.D.
and directing opportunities. Meanwhile he continues his work
with Kansas City’s Theatre of the Imagination. This year he is
working in the Bloch School, directing an original play by a
Kansas City native, and serving as dramaturg for Tartuffe.
Thomas and his wife Patrice have four children.
Bobbie
Jeffrey
is developing a theatre degree at
Calvary Bible College where she directs and teaches theatre.
She recently transitioned out of her position as founder and
director of h.e.a.r.t. theatre company. Replacing her in that
position is fellow M.A. student Tany Barber. After 2 and a half
years in the MA program, she expects to finish at the end of
summer 2009 ...still lovin' it!
Johnny Wolfe
earned his BA in Theatre with
emphasis in directing from the University of Nevada, Las Vegas.
At UNLV, he worked on the development of new plays and directed
seven original works by MFA Playwrights. His directing credits
there include The Dying House, recipient of the ACTF
award for direction, and Harold Pinter’s Betrayal, which
was produced on the Las Vegas Strip. At UMKC last season, he was
dramaturg for The Cure at Troy and taught Foundations.
which he will do again along with Megan Baker and James Carter.
This summer he served as dramaturg for Taking Sides at
Actors Theatre KC and was an intern to the managing director of
Kansas City Repertory Theatre. This season he will be directing
Nadya with Professor Tom Mardikes as well as one of the
Five by Tenn pieces. He will also be dramaturg/assistant
director for UMKC’s premiere of a new dramatization of The
Master and Margarita. Johnny is married to actress Meredith
Wolfe. |